The complex contains a large haveli, or old-style traditional townhouse residence. A large boarded-up jharokha, i.e. enclosed balcony still stands out at the front of the complex as the facade, while a row of windows has been sealed-up with bricks and curtains. The jharokha contains elaborate woodwork carvings that have outlasted the decay on the rest of the complex. The temple’s shikhara, a rising tower, stands tall above the surrounding buildings. Climbing up the stairs reveals a large courtyard, after which there are several floors up housing families. The complex is a privately owned residential property divvied up to serve multiple residents. Residents have added artificial partitions, curtains, and gates to solidify divisions between residences, including a resident who has blocked off the former room of worship.
The shikhara has prominent plaster moldings, including depictions of the Hindu deities Hanuman and Krishna. In 1992, after Hindu nationalists destroyed Babri Masjid in Ayodha, Muslims in Lahore reacted by scratching out depictions of the deity’s heads. The temple is no longer in use, and the Pakistani government or relevant authorities have not attempted to preserve the property.