Patsy Cline Museum
The "record wall" at the Patsy Cline Museum
Matching gold lamé pants and boots: one of Cline's stage costumes
Cline's mother's sewing machine and dress patterns drawn by Cline herself
Sample of Cline's fan mail
Reconstruction of Patsy's rec room in her suburban Nashville home, circa early 1960s
Waxwork of Patsy Cline by Madame Tussaud
Backstory and Context
She married her second husband, Charlie Dick, in September, 1957. Their tumultuous marriage was later dramatized in the Jessica Lange - Ed Harris hit movie, Sweet Dreams. (Her daughter Julie Fudge recalls her father's reaction to this movie: "It was a good movie, if you like fiction.") Moving to Nashville and signing with a new manager, Randy Hughes, Cline struggled for two years until she recorded "I Fall to Pieces," which became a #1 country hit the following year. After surviving a near-fatal car crash, she recording two more Top Ten hits, "She's Got You" and "Crazy," the latter written by an unknown singer-songwriter named Willie Nelson. Her albums were also successful, and she sang in Carnegie Hall and at the Hollywood Bowl. Returning home from a benefit at Kansas City in March 1963, she was killed in a plane crash; her recording career had lasted less than a decade. The accident also took the lives of fellow Grand Ol' Opry stars Cowboy Copas and Hawkshaw Hawkins, as well as the pilot of the aircraft: her manager, Randy Hughes.
Cline later became that rare musical phenomenon: a posthumous superstar. This process was greatly aided not only by the timeless quality of her recordings, but by two movies released in the 1980s, many years after her death: the above-mentioned Sweet Dreams and the Oscar-winning Loretta Lynn biopic, Coal Miner's Daughter, in which Beverly D'Angelo played Cline. Said her daughter, Julie Fudge, "She’s almost always been a legend in my life. At the same time, the people that knew her, the fans, have kept her alive for me. There’s not many people that lost a parent 50 years ago who can say that she’s this much in her life every day." In order to carry on Cline's legacy, Fudge, with her investor, Bill Miller, started the museum dedicated to her mother, located on the second floor of the Johnny Cash Museum in the "So Bro" area of downtown Nashville.
Mounted on a wall in the space is a copy of every record she recorded from 1954 until her second big hit, I Fall to Pieces. Also prominent are many stage costumes she wore during her heyday, including a set of gold lamé pants and matching boots worthy of her friend, Elvis Presley - all in mint condition. But the real highlights of the museum are the surprisingly detailed glimpses of Cline's private life. There's a recreation of Gaunt's Drug Store in Winchester, where she worked as a teenager while she aspired to a career as a professional singer. There's the sewing machine at which Cline's mother created her daughter's stage costumes from patterns Patsy drew for her. (The drawings themselves are also on view.) There is also a recreation of the suburban Nashville home at which Patsy lived all too briefly, including both the dining room and a rec room that features Cline's state-of-the-art (for the early 1960s) audio system and a 1957 refrigerator that still works.
Perhaps most moving are samples of the extensive correspondence in which Cline engaged, even while on the road, with family and friends and even with casual fans. It seems that Patsy never let any fan letter go unanswered. There are copies of letters and also correspondence accessible virtually, through computer tablets. Since practically no TV or radio interviews of her survive, these preserved letters, which sometimes mention her young children, are a precious legacy for Julie Fudge.
There is also a life-size waxwork of Cline by Madame Tussaud. She's depicted in a yellow dress, stepping up to a microphone. A biographical film documenting Patsy’s career, hosted by actress Beverly D’Angelo (who, as mentioned above, portrayed Cline) can also be viewed, bringing young visitors up to speed about one of the most influential stars in the history of country music.
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