Backstory and Context
In the early morning of April 18, 1906, a massive earthquake rocked northern California, its forces and resulting fires destroying most of San Fransisco and killing up to 3,000 people. In the aftermath, Lotta's Fountain became a meeting point for survivors looking for loved ones and for work. Bulletin boards surrounded the fountain for survivors to communicate with one another, some receiving answers and others not. Thereafter, the fountain represented not only singer Lotta Crabtree, but thousands of lives lost in the earthquake. In 1915, Crabtree made her first public visit to the fountain, laying a breath at the base of the fountain.
Throughout the twentieth and twenty-first centuries, Lotta's Fountain has remained an important landmark in San Fransisco, especially for remembering the earthquake. A number of singers and musicians have performed at the fountain. On Christmas Eve, 1910, Italian soprano singer Luisa Tetrazzini, who also found success in San Fransisco, performed at the fountain to a crowd of around 250,000. In the following years, violinists Jan Kubelik and Misha Elman also entertained thousands at separate performances. It became tradition to remember the earthquake every April by gathering at the fountain.
This historic cast iron fountain features an eight-foot columnn topped with an ornate light fixture. Mounted on the base of the columnn is a bronze relief plaque featuring a bust portrait of Luisa Tetrazzini. The middle section is decorated with floral embellishments and two relief medallions depicting scenes of San Francisco. One of the medallions depicts a schooner ship. The second medallion depicts gold rush miners digging for gold. The third medallion, originally symbolizing agriculture, was replaced in 1916 with a plaque commemorating an elongated columnn at the top of the fountain that reached the new height of Market Street; this columnn has since been removed and the fountain refurbished to its 1875 condition. Below the medallions, on all four corners of the fountain, are lion's heads. Four semicircular fountain basins jut out from the sides of the fountain near the base, each basin with a spigot in the form of a griffin's head. Originally, there were tin cups chained next to each basin, but they no longer exist. The fountain rests on a granite base.
Lotta's Fountain has been restored twice, once as part of the $24.5 million beautification of Market Street and the second time in 1998, which got the water running through the fountain again. In being named after Lotta Crabtree and featuring a bronze relief of Luisa Tetrazzini, the fountain is one of only a few works of public art that represents women in San Fransisco, which will hopefully change as new initiatives to create public art honoring women are underway. The fountain's connection to the 1906 earthquake remains strong, as each April 18 at 5:18 am, crowds gather to remember the victims, survivors, and heroes of this historic moment.
Knight, Heather. "S.F.’s monuments to male supremacy: the city’s public art."
"Lotta's Fountain (sculpture)." Art Inventories Catalog. Smithsonian American Art Museum. Accessed April 2018. https://siris-artinventories.si.edu/ipac20/ipac.jsp?&profile=all&source=~!siartinventories&uri=full=...
National Park Service. “Lotta’s Fountain.” National Register of Historic Places Inventory-Nomination Form. Prepared by Bernard Averbuch. Washington, D.C.: National Park Service, Department of the Interior, 1975. Accessed April 2018. https://npgallery.nps.gov/GetAsset/367229c4-c930-48a3-b7e1-70ec78612efc
Swan, Rachel. "Willie Brown backs off renaming Lotta’s Fountain for Ed Lee after public outcry." San Fransisco Chronicle. April 16, 2018. Accessed April 2018.